Draft Essay

Walking through the pasture, the smell of fresh grass is strong, with just a tinge of manure catching in the breeze now and then. The air smells clean — not like the gas or smoke I’m used to in the city. The grass is green, healthy, tall enough to brush against my ankle and tickle a little as I walk. It’s definitely at that point where my dad would say it’s time to cut it. This land, these 40 acres, have been in my family for generations. According to what my relatives say, it was thanks to President Roosevelt’s New Deal programs that my great-grandparents were able to purchase it. Programs like the Resettlement Administration made landownership possible for families who had little, by offering low-interest, long-term loans. I think about that sometimes — how the field I’m walking through now isn’t just grass and dirt. It’s part of a legacy built through struggle and opportunity.

Instead of taking my grandparents' driveway, I decided to cut through the pasture. I figured it’d be faster and give me a better look at things for observation. What I wasn’t expecting was how hard it’d be to open the gate — the chain twisted tight around the wire fence. After a few attempts, I gave up and saw the shortcut to the right: a wooden block set in front of a bent wire fence, clearly a makeshift step-over. My dad probably made it. Or maybe my brother. But the height wasn’t made for my 5’3 self. I wrestled with the wire, trying not to get caught on the barbed top, and finally made it over.

I looked ahead at the house and felt a mix of homesickness and comfort. That yellow brick house holds more than furniture and walls — it holds memories. It was built by my great-grandfather, who, during the time of the Second New Deal, worked as a carpenter with support from programs like the Works Progress Administration. These jobs were more than just income; they gave people like him the tools to build homes, not just for others, but for their own families. And through that work, this house came to be.

I’d decided recently to move back in with my mom and attend Columbus State University. It would be cheaper, and I could work less. More importantly, it would bring me closer to home — to Buffordville — and to family. Standing there, I heard the buzzing bugs that always seemed a little too interested in me. It was one of those rare quiet moments at the house. Usually, a speaker’s playing my dad’s old classic rock, and he’s outside with the kids, finding something to do.

That quiet let the memories in.

His radio was playing a song from the classic station — one of the usuals that always seemed stuck on loop — while we stood on the porch talking and enjoying the breeze.

“Oh come on Pooh, your old man knows how to dance,” my dad said, before hitting the dab with one knee slightly bent and a beer in hand. His thick black hair pulled back in his backwards trucker cap, wearing his brown T-shirt — the one he always wore when planning yard work — and his go-to camo shorts with too many pockets.

“Oh no. Not that move again,” I said, trying to hide my amusement.

“Dad, you have to learn more dance moves than that,” my little sister Charlee said, sitting on the other side of me.

“Ah, but of course I do,” he said, launching into the sprinkler.

I joined in. That one’s a classic, and at least less embarrassing than the dab. My brother looked mildly horrified, but even he had a smile hiding somewhere. The memory ended with my dad and me dancing like fools, our siblings cringing, but all of us happy.

I walked up the path to the porch and pushed the front door open. It stuck a little from the water damage that happened years ago. Inside, the house was still. No noise but the life outside. I closed the door behind me and looked around.

"I can’t believe the changes in this house," I said to myself. I remembered the old furniture we used to have — two green leather couches, then a worn-down cream one, and finally the big comfy cotton one we’d flip over before bed. My siblings and I were told not to, of course, but we rarely listened.

Now, that space is mostly empty except for my dad’s workout bench and a TV. The big one on the wall still hangs, unused because of technical issues. I put my hand on the dining table — smooth, cool wood with ridges and old stains from meals long past. That table has hosted more than a decade of dinners.

I glanced at the kitchen and chuckled at the trash can. That wooden box with “Trash Bin” carved in curvy letters on the lid had been around forever. The appliances? Just as they were when the house was first built. Most of the furniture too. It made me think of how the house had remained a constant through generations of Buffords. It’s bittersweet, realizing that even though I may come and go, this place remains — stable, familiar. That kind of lasting presence is something the New Deal programs aimed to give working families: stability, structure, a chance to build something that lasts.

It made me think of Thanksgiving.

Every year, we’d go to Dad’s for Thanksgiving lunch before heading to Mom’s for dinner. He always bought a turkey and cooked it in the oven, made my grandma’s vinegar French green beans — my sister’s favorite — and used the turkey to make sandwiches. I don’t usually like turkey, but Dad’s sandwiches always hit different. Something about the mayo, the bread, the way he seasoned the meat.

When the turkey was ready, Dad would say, “Alright, y’all get in here and start making y’all’s food.”

“Good, I’m starving! I’ll grab the plates,” I said, reaching into the cabinet over the shredded turkey bowl.

“Oh, are the green beans done?” my sister asked.

“Yep. They should be all good. Only the best for my chillins’,” Dad said proudly.

“Hey Bug, can you go let Leroy know to come in?” I asked my sister while I prepped the bread for toasting.

She opened the door and hollered, “Hey dingus, food is ready.”

My brother responded, “Oh okay,” and came in moments later.

“Y’all make sure to wash your hands,” Dad called out as I spread mayo on the toast.

“Welp,” I said, setting the sandwich down and heading to the sink. We all took turns, hunger making us impatient.

Once our hands were clean, I finished my sandwich, and my sister filled half her plate with green beans.

“Alright Charlee, save some for the rest of us,” I said.

“I’m glad we still have Granny Jean’s cooking for Thanksgiving. I miss her spaghetti though. Dad, do you have any other recipes of hers?”

“Well, Pooh, she probably did have some, but I’m not sure where they could be. She mostly kept them in her head. She knew what she was doing.”

“Yeah, that makes sense. But it’d be nice to have them. I wish we’d known how much I’d miss her cooking before she was gone.”

“Well, that’s just how it is sometimes, Pooh.”

I came back to the present, standing in the quiet house, and felt how lucky I was. This home, this land, the stories and the smells and the old trash bin — they’re all pieces of a larger picture. A story that started with a carpenter and a secretary, who, with the help of federal programs during a time of national crisis, were able to build something real. Programs like the WPA didn’t just give people jobs — they created foundations for generations. And even though those programs weren’t perfect, and not every family was helped, mine was. This house is proof of that.

It makes me thankful not just for my family, but for the chance they were given — a chance that still echoes in the smell of the pasture, the creak of the door, and the laughter we still share on that front porch.

Final Essay

When you slow to a crawl on the asphalt road, the first thing that comes into view is the recently updated mailbox standing tall by the entrance. Just beyond it is the dirt and gravel driveway, a familiar path leading down to the heart of my father’s property. Turning left into the descent, the driveway dips gently and curves around the land, and the luscious, well-manicured green grass pops against the edges of the road. Towering trees—some older than I am three times over—line the property and cast long shadows that stretch with the sun.

As your eyes follow the driveway further, the scenery opens up to the true centerpiece: the lake. A brilliant blue-gray surface stretches far beyond the eye’s comfort, demanding your attention. The lake hugs both sides of the driveway and only breaks where the gravel continues forward. As you near the water’s edge, the clarity reveals algae reaching up from the bottom, swaying beneath the surface like soft ribbons. On the far side of the lake, a tall dark wooden pole reaches up to the sky, topped with a quaint little birdhouse, a resting place for passing birds.

On the curve where the driveway bends left, the lake sits just off the edge to your left while my father's house stands proudly on a small hill to the right. A large tree marks the turn into the yard, surrounded by decorative rocks and outdoor flower art. Unlike the rest of the property’s green grass, the yard here is made of rocks and dirt. The porch stretches along the front of the house; one half is used for parking a single car while the other hosts outdoor seating furniture.

The house itself is built from yellow popcorn-textured bricks, a detail easy to miss unless you're close. Between the parking and seating areas sits the white front door. To its left, three stairs lead into the outhouse—a shed where my dad stores tools, maintenance equipment, random outdoor gear, and even the washer and dryer.

Walking through the front door brings you into the dining room, with the kitchen tucked off to the left. The flooring is mostly worn brown carpet, except in the bathroom and kitchen where tile takes over. The furniture throughout is old and wooden, unchanged since my grandparents lived here. The dining table is large enough to seat 6 to 8 people when the extendable piece is added. The table’s surface is smooth in some areas, while others are worn with age and mysterious stains. Wooden panels line the walls, their slightly pebbled, unsanded texture darkened by age, streaked with black tree-like markings.

To the left of the door, three woven seating chairs rest under a counter space that separates the dining room from the kitchen. These chairs have light-colored wooden legs and provide a cozy spot to watch whoever is cooking. Above the counter is an open space that connects the rooms visually, with floating cabinetry hanging above, leaving space between the cabinets and the ceiling. The countertops are white, while the lower cabinets are made of the same orangish wood as the paneling. The appliances are older—a black stove and oven combo and a white fridge with black handles and hinges. The kitchen floor is beige and white tile, accented with blue flower motifs in the corners of the white tiles, intersected by X-shaped lines.

Past the kitchen is my dad's bedroom. The old dark wooden door opens to reveal more brown carpet and a mix of new and old furniture. His bed frame is a reddish-brown wood, and the bed is covered with a thick navy blue comforter dotted with subtle rivets. To the right is a large, newer chest matching the bed frame, and beside that, in the corner, stands a large black gun safe. Sitting atop the safe is my dad’s TV—and apparently, a smaller one in front of that.

To the left of the door is a shelf lined with my dad’s hats and shoes. Next to the shelf hangs a silver-framed painting of blue fish swimming in circles against a white background. Near the back of the room is a newer gray reclining chair, and just left of that is an open doorway leading into the bathroom. Inside, the light green sink and white countertop are speckled with blue, the surface smooth and cool to the touch. A wall-to-wall mirror reflects the space. The carpet here is cream-colored, but rougher than the rest of the house. The open closet has no doors and houses the water pump. A white door to the left leads into the smaller bathroom with tiny white floor tiles and a matching tub. The toilet sits behind the door and a white, single-door cabinet is mounted above it.

Back in the dining room, the chairs match the table—wooden frames with red and gold patterned cushions. Moving into the living room, you’re welcomed into an open space. A flat screen sits against a tan wall to the left of the hallway that leads to the bedrooms. The big windows offer an incredible view of the pasture, the driveway, and a sliver of the lake. A cat house sits beneath the window, next to a large potted plant and a low table that houses a smaller TV. A workout bench is placed in front, with a rack of fishing poles nearby. A white closet door sits behind it, near the back door that leads out to a small square porch more trafficked by bugs than people.

To the left of the living room is the sunroom, with more big windows and an old tall wooden cabinet straight ahead. Hip-height white wooden cabinets stretch along the floor, and the window here opens the view to the outdoors.

Back through the doorway leading to the bedrooms, mine is to the left. Gray walls surround me with one navy-blue accent wall where my bed sits, dressed in white and matching blue bedding. To the right of the bed is a small old nightstand with a newer silver lamp and white shade. Two small windows brighten the room—one next to the nightstand and another across from the door. My telescope sits in the corner, and a large wooden chest rests to the left of the door, topped with an old flat-screen TV.

Across the hall is a narrow bathroom, with white tiles like my dad’s, and white walls. The yellow sink sits beneath a mirrored cabinet, followed by the yellow toilet, and finally a yellow tub. A full-length mirror hangs on the door. Further down the hall is the room where my siblings used to sleep. The walls are lime green, the closet doors match the others, and a wooden bookshelf lines the far side. Two windows light the space, with a small version of my chest tucked in the corner.

Back in the dining room, to the right of the entrance is a red and black brick fireplace, its golden opening still intact. On the other side, a window faces the porch where the enclosed AC unit buzzes away. Below the window is a small table and another closet door, this one matching the walls in color. A tall bookshelf completes this area. Orchids sit on one of the woven chairs nearby. The ceilings in both the dining and living rooms are plain white, accented with dark wooden beams that jut out like the bones of the house.

The overall color scheme of the house leans heavily on dark wood tones, balanced out with cream and white for light. The air smells like grass, sun-warmed wood, fruit—and occasionally donkey poop if you wander near the pasture. Right now, seven people live here full-time. When my family comes to stay, that number jumps to eleven.

The lake, pasture, and surrounding woods are the major landmarks, with the docks, barns, and fencing being the minor ones. Highway 116 is the only road in and out, but the dirt driveway is our true entrance. Aside from my aunt, everyone who lives out here is retired. Their days are filled with outdoor tasks—burning wood, tending gardens, repairing fences, or crafting. Life here doesn’t move fast, but it’s full and present.

Works Cited

Bill of Rights Institute. “Essay: The New Deal”. Accessed on 06 July 2025. https://nillofrightsinstitue.org/essay/the-new-deal/  

Editors of HISTORY.com. 29 October 2009. https://www.history.com/articles/new-deal  

Fishback, Price V. “How Successful Was the New Deal? The Microeconomic Impact of New Deal Spending and Lending Policies in the 1930s.” National Bureau of Economic Research Working Paper No. 21925, January 2016. https://www.nber.org/system/files/working_papers/w21925/w21925.pdf  

Kitchens, Carl. “The effects of the Works Progress Administration's anti-malaria programs in Georgia 1932–1947”. Explorations in Economic History, Volume 50, Issue 4, 2013, Pages 567-581, ISSN 0014-4983, https://doi.org/10.1016/j.eeh.2013.08.003  https://www.sciencedirect.com/science/article/pii/S0014498313000363 

World Health Organization. “Malaria”. 11 December 2024. https://www.who.int/news-room/fact-sheets/detail/malaria  

Zabawa, Robert and Hargrove, Tasha. "Flint River Farms Resettlement Community." New Georgia Encyclopedia, 09 June 2012, https://www.georgiaencyclopedia.org/articles/business-economy/flint-river-farms-resettlement-community/  

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